The sound design behind Lullio
Savara soundscapes are built around steady tones and gentle harmonic textures that create a calm and balanced listening environment.
Savara was created around a simple idea
Sound is more than something we hear, it’s something we feel.
How sound shapes experience
Every sound begins as vibration. Whether those vibrations are sharp and stimulating or soft and steady shapes how a sound is experienced, not just intellectually, but physically.
Savara's three sound environments are built around the second kind: steady, resonant tones and gentle harmonic textures that create a calm, consistent atmosphere for rest without ever demanding attention.
Rooted in tradition
Across many cultures and for many centuries, this principle has been understood and applied. Tibetan and Nepalese singing bowls have been central to Buddhist meditation, ceremony, and healing practice for generations. Their sustained, layered tones fill a space without demanding anything from it, which is precisely why they've endured.
The handpan is a much younger instrument, first made in Switzerland in the early 2000s, but the quality it produces of warm, resonant tones that calm rather than stimulate, is one that older tonal traditions understood well.
432 Hz tuning sits in slightly different territory. Many musicians and listeners describe it as softer and warmer than standard modern tuning, and it shaped how we built Ground. The evidence is more contested than for the other two. But put it on in a quiet room and notice how it feels. That's always been our test.
What this means in practice
Savara soundscapes don't focus on melody or rhythm in the traditional sense. There's nothing to follow, nothing that builds or resolves. Just sound that holds space, steadily, consistently, without interruption.
The result is a listening environment that feels soft, grounding, and unobtrusive. For a baby still adjusting to the world. And for the parents in the room with them.
*Savara is not a medical device, and its soundscapes are not intended to diagnose, treat, or cure any condition.
Meet the musicians
Behind the sounds are three talented musicians, each bringing care, intention, and deep attention to every note.
Amitai Levin
Ground: 432 Hz
A music producer, arranger, keyboard and guitar player, sound designer, and teacher, working across a wide range of musical genres and projects. Most passionate about exploring each artist’s inner world through creative collaboration.
Amir Weiss
Flow: Handpan
In 2007, the hang drum found Amir Weiss during his years with the rhythm collective Tararam — and it never really let go.
Since then, Amir has spent fifteen years performing on stages across Israel and around the world, sharing bills with leading artists including Amir Dadan and Eldad Zitrin.
Amir holds a degree in Psychology and works as a music therapist, which means he understands sound not just as something you hear, but as something you feel.
That depth shows up in everything he creates. Not as technique, but as intention.
As a father of three, he also knows exactly what it means to need that to work.
Johanna Garden
Rest: Tibetan singing bowls
A music producer, arranger, keyboard and guitar player, sound designer, and teacher, working across a wide range of musical genres and projects. Most passionate about exploring each artist’s inner world through creative collaboration.